Daniel Boyd returns to New York City after more than twenty years abroad. He has agreed to tear down his old family house to build a more lucrative apartment building. Before the wreckers move in, he starts to prowl the house at night. Boyd has begun to realize that he might have been an astute businessman if he hadn't turned his back on moneymaking for a more dangerous life bankrolling Baghdads Central Bank. He discusses this possibility with Alice Staverton, his woman friend who has always lived in New York. But Boyd begins to believe that his alter ego—the ghost of the man he might have been—is haunting the "corner," his nickname for the old family house.

A twisted and terrifying story of a man in his sixties,who finds himself hurtling towards the abyss of self-destruction and the horror of losing all that he holds most dear. The story is told in reverse so that obvious dramatic climaxes become more nuanced and empathy is allowed to develop in a subtler and more sophisticated manner.

An adaptation of John Webster's Jacobean cornucopia of monstrosity and decay, Malfi tells the tale of Giovanna, the eponymous Duchess, and her doomed second marriage. Set against a heady background of lycanthropy, incest, religious and political corruption, and court intrigue, Giovanna's two brothers plot her downfall. But her murder is the cue for a court uprising and the two brothers meet a sickening end. An early feminist drama? Or a simple revenge tragedy? What is certain is that the uplifting ending provides a satisfying resolution to this suspense-filled narrative.

Contracted writers: Alan Hausegger - 120 mins)
Producers: Andi Reiss, Alex Sullivan
Director: Andi Reiss
Proposed Cast: tbc
Budget: £2m (UK/CAN Co-Production)

A heartfelt tale about the childhood and coming of age of Will Bunting. The story opens with Will, age 5, playing football with his best friend, Watson, also 5. Watson is tragically killed in a road accident as he runs to fetch their runaway ball. Will refuses to let Watson die and he keeps him alive in his imaginary world. This happens to the extent that Watson is part of every aspect of Will’s life. To ensure that Watson is kept going Will swears that he will eat for two – he will sustain Watson by consuming for him.

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